When once with twenty years ago from Lviv Alexander Romaniuk tried to put his admiration for the culture of China and Japan (for ease of pronunciation - "Kytaponiyeyu" - a term the author) in the material, it was such a fun "monetoyidni vyputsiny." The next stage of progress kytaponskoho art after copying exotic ancient coins were footprints copper-bronze and zinc plates copyright on paper as a factory and own Alexander rukoroblenomu. So there were many fine epistolary collection sets that few uses for its intended purpose: writing letters, because who now writes letters on paper? Instead, savor exploitation of copyright collage on the theme kytaponskoyi symbols, calligraphy, poetry, philosophy, to assess the depth of which even the intellectuals only allow very detailed comments Romaniuk.
Over the years, the process of growth Kytaponiyi author territory and its improvement gained momentum. In addition monetoyidiv that Alexander stringing on shnurochky, making the number of metal plates on the quality of phantasmagoric Oriental reptiles, and many graphically-calligraphic modulation is more compelling books in leather covers, metal top that can be read in any order - they are self-sufficient. A note bohemian fashionistas - kilograms exclusive jewelry, this five minutes ago from archaeological excavation.
All these goodies kytaponski Alexander creates not for profit, it comfortably within the process. When the author suddenly tired of loneliness Kytaponiya continent, it makes the exhibition, to be able to talk to your favorite topics kytaponski with friends, acquaintances and engage in its orbit "Hot off the press contingent."
Romaniuk like pantelychyty their creativity indigenous Chinese with Japanese. In their programmed minds millennial tradition does not fit, as Europeans, but also one that has never been in China and Japan, and the language does not know himself, without any teachers own mind and hands reaching ability to create things that look completely as kytaponski, speaks as kytaponski, and all receptors somewhere genetically felt as kytaponski. But kytaponski. Even about not lying. After Alexander Romaniuk creates artifacts in their technology, which in China and Japan did not exist in the material, which it did not work, and uses stories that there have not. The box opens simple - Alexander knows about China and Japan as (whatever may know, living in Ukraine), this number has turned into quality. He gets to hiperintuyityvnomu level "in the top ten" essentially feeling "kytaponskosti" things: its texture, texture, content, level stvorennosti. It artifacts are likely to be in kytaponskomu autentyku - meaning the level of calligraphy, ancient spirit...